Colin Farrell was the MVP of 2022

2022 has been a year of cinematic returns. It was great to see actors like Ke Huy Quan, Brendan Fraser, Bill Nighy, and michelle yeo are finally getting the appreciation they deserve, and the filmmakers are loving Todd Field, Sarah Polley, Baz Luhrmann, and David Cronenberg delivered outstanding new masterpieces after a period of absence from the industry. No one ever really doubted James Cameron, Tom Cruise, Steven Spielberg, Where Cate Blanchett, but they proved once again why they are among the most influential storytellers we have today. So where does Colin Farrel fall into all this?

It’s hard to say that Farrell is underrated because he’s actually one of the hottest players in our industry. in recent years, Farrell has worked with such prestigious filmmakers as Steven McQueen, Guy Ritchie, Dan Gilroy, Sofia Coppola, Yorgos Lanthimos, Terrence Malick, and Spielberg, among others, and he’s appeared in a wide variety of blockbusters, indies, award-winning tracks, and daring genre projects. Farrell has been so good for so long it’s easy to take him for granted; he’s a cinematic chameleon who can adapt to any role.

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However, 2022 was the year the industry finally seemed to recognize what a unique talent Farrell was. Farrell’s diverse output this year reflects the kinds of bold choices he usually makes; he has a heartbreaking role in an arthouse drama, steals the stage in one of the best blockbusters of the year, delivers nuanced work in old-school fun, and finds himself in the middle of the race. to the awards for her most personal and singular role on Date. It’s an incredible year in the life of one of our most exciting actors.

After that

Although After that debuted at the Cannes Film Festival in 2021, it was not widely seen by American audiences until its US release earlier this year. Those who attended the virtual Sundance Film Festival may have been able to catch a glimpse, but After that hit limited theaters and appeared on Showtime in March. Of all the prestigious titles sent directly to streaming, After that actually feels well suited for home viewing; it’s a quiet, intimate drama that speaks volumes in moments of silence. Farrell is so sweet and subtle that you may have to look closely to understand the nuanced work he does.

The most radical thing about After that is that despite its sci-fi premise, it’s really not that different from a classic family drama like ordinary people Where The accidental tourist. Set in the not so distant future, GonadadaThe film follows couple Jake (Farrell) and Kyra (Jodie TurnerSmith) as they raise their adopted daughter Mika (Malea Emma Tjandrawidjaja) and the android Yang (Justin H. Min). As Yang begins to malfunction, Jake must wrestle with the ethics of giving this android a human experience; what effect might Yang’s death have on Mika, who considers him his brother?

It’s a sensitive performance that captures the challenges of fatherhood; despite Koponada’s dynamic visual style, the scenes between Farrell and Kyra have the dramatic intimacy of a stage production. They feel like a modern, down-to-earth couple, and Farrell has rarely been so sensitive, open and charming.

The Batman

It’s safe to say that “sensitive, open and charming” aren’t words you’d use to describe what Farrell does in The Batman. Once you get over your initial shock when you recognize that it’s really Farrell playing Oswald Cobblepot under layers of makeup, you have to marvel at how bravely he took on the role. Matt Reeves wasn’t lying when he said he envisioned it as a thriller similar to Chinese district Where Zodiac; it’s a dense web of conspiracies, and Farrell’s appearances help add personality to the complex narrative.

Considering the gravity and realism of the film, Farrell could have stood like a sore thumb. However, it is essentially to the thematic weight of the story; if Gotham City has truly fallen prey to its ugly side, then a slimy, eccentric mob figure like The Penguin might rise to the top. Farrell is clearly inspired by Freedmen and The Sopranos in his performance, but he manages not to reiterate any of the works that Danny DeVito made in Return of Batman. Making a physical transformation is one thing, but Farrell delivered the quirky performance that justified it.

Thirteen Lives

After reimagining one of the most iconic comic book villains of all time, Farrell took on the responsibility of playing a true hero. It seems odd how much Amazon Studios has butchered the release of Ron Howardit is Thirteen Liveswhich tells the incredible true story of how British cavers Rick Stanton (Viggo Mortensen) and John Volanthen (Farrell) helped rescue 12 Thai boys from a soccer team and their coach during the Tham Luang cave rescue. Although the story was recently portrayed in the documentary The rescueHoward portrays events with brilliant technical precision and creates moving moments of empathy as this community rallies around an important cause.

It’s a serious, professional film, and Farrell’s casual decency captures the qualities of a true hero; it shows that John is not looking for rewards or recognition, but is truly heartbroken that he could have done something, but didn’t. The brief scenes he has at home with his own son show how John’s fatherly love inspires him to save the boys, and Farrell’s emotional contemplation at the end of the mission is absolutely heartbreaking.

The Banshees of Inisherin

Farrell collaborated with writer/director Martin McDonagh multiple times now, and has delivered completely singular character performances in Seven Psychopaths and In Brugge. McDonagh is a playwright, and the detailed character work of his plays extends to his features. It’s hard to categorize The Banshees of Inisherin, because it’s one of the darkest movies you’ll ever laugh out loud. Farrell captures the heartbreaking and pathetic essence of someone who constantly watches his world slip away.

Pádraic (Farrell) is a good-natured, drunken man who has just taken his life for granted; however, he is taken aback when he realizes that his sister, Siobhán (Kerry Condon), no longer wants to live with him, and that his best friend, Colm Doherty (Brendan Gleeson), does not want to speak with him anymore, as he intends to have more intellectual conversations and pursue art. Padraic hilariously tries to hold on to his reality, but Farrell shows how he envisions the changes he might have to make to adjust to this new reality. He doesn’t understand why he can’t just be “nice”; what must he transform into to get his sister’s attention and get Colm to see him as an equal?

Farrell never loses his quick comedic humor as the film heads into darker territory. Unsurprisingly, his incredible work has earned him immense critical acclaim, as he won Best Actor at this year’s Venice Film Festival and received the same recognition from the National Board of Review. He is considered one of the favorites for the Oscars, but he will face stiff competition from Brendan Fraser in The whale and Austin Butler in Elvis.

Regardless of what trophies Farrell has or doesn’t have on his roster over the next few months, 2022 has proven he’s unlike anyone else working today. He approaches projects of all shapes and sizes with the same passion, and he is able to add personal touches to stories that might not have been so effective otherwise. Look, Butler certainly turned into “The King” with a weird performance in Elvisand Fraser is absolutely unrecognizable in The whale. That being said, when The Banshees of Inisherin where Farrell says “I’m not gonna take my ass out while I’m sad” is the best acting you’ll see this year.

Colin Farrell was the MVP of 2022 – MMA Fighting