Losito case, the prosecutor: «Actors good at lying, it is necessary to intercept them»

Trust or not the reconstruction of Gabriel Garko-angel face on habits and vices in vogue in the Ares film of the producer Alberto Tarallo and his partner the suicidal screenwriter Teodosio Losito? dare or not to give (judicial) twine to the dismay expressed by Rosalinda Cannavò, alias Adua Del Vesco, protagonist of “Il bello delle donne” for the events that did they lead to the instigation of Losito’s suicide? Since we are dealing with “actors, and therefore subjects who by profession play a part and therefore are able to be convincing even when they lie”, it is prudent military on the side of doubt: prosecutor Carlo Villani writes it today in his request for dismissal of Tarallo, initially investigated for instigating suicide. He is therefore not surprised that “to verify the veracity of what was declared to the prosecutor by the subjects hired for summary information” wiretaps were arranged against them.

The case is known but let’s summarize it: in 2020, at the same time as a complaint from Losito’s family and some revelations to “Big brother vip” by Del Vesco about the alleged instigation by the producer Tarallo, an investigation by the judiciary on the Theo’s suicide. In addition to Garko and Del Vesco, Nancy Brilli, Eva Grimaldi, Giuliana De Sio, Manuela Arcuri, Massimiliano Morra were heard in the prosecutor’s office and other protagonists of the Ares fictions.

Some of them are intercepted, as stated in the filing request filed today by the Public Prosecutor’s Office. Thus emerges the unthinkable. Like the confidence of Del Vesco-Cannavò, great accuser of Tarallo (“We couldn’t tell her age, we couldn’t live, we couldn’t have affection, I no longer knew how to socialize… if I stayed there I’d end up like her”) to her mother: “Then the thing about instigating suicide I honestly said what it means specifically I don’t know, I said it because anyway eh, actually, I didn’t know they had a legal value».

The dialogue between mother and daughter unmasks the inexperience of the melò actress, who tries to stem the concern of the mother who is rightly concerned by the tenor of her daughter’s accusations who, among other things, had accused the patron of Ares of Satanism: “I wouldn’t want Teo’s instigation to commit suicide because of what you said – the mother complains – because when you said that sentence we put our hands in our hair”. And Rosalind: «I said so because in my mind and in my head I couldn’t explain what it is like for a person who was obviously sick everyone did not notice … all this, that is, his malaise also because he had already attempted suicide”. The beautiful Adua – Rosalinda explains, attenuates, specifies: «I know that in any case there are low moments because Teo told me about them and that he didn’t feel free…”

The outbursts of Cannavò are followed by those of Garko who is on the phone with the beautician of the stars Brigitte Valesh speaks of the Tarallo-Losito sentimental relationship as a menage “living only for mere economic interests”. Confides Valesh: «Teo also told me about all the betrayals what Alberto had done to him that he had noticed…that he had forgiven him that they were no longer together out of love but only for this professional situation…therefore also the ca…of the love letter that he he wrote before committing suicide is a lie because it is really out of place ». Garko’s reply, already heard by the magistrate and about to make new revelations: “Okay, come on now as soon as they call me back I’ll tell them so I have to make a whole list of names…”.

Perhaps the truth lies in the psychotherapist’s diagnosis of the fragile Losito, Antonino Coppotelli (nephew of Tarallo, moreover), delivered in a report by the specialists of the economic and financial police nucleus: «Teo – he explains – suffered a bit from my uncle’s figure, in the sense Teo wanted to demonstrate to everyone that he he was less than my uncle both artistically and in relationships. Teo wanted a more dynamic life than my uncle who was more sedentary, more closed or reserved».

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