The orphan: the origin | Top reviews, reviews and ratings | tomatoes

13 years have passed since the premiere of La Huérfana – 60%, a horror film directed by Jaume Collet-Serra that came as a breath of fresh air at a time when the genre was dominated by the found footage format. The film debuted to mixed reviews but grossed enough to be considered a box-office hit, plus it had a strong element at its core: a stellar performance from Isabelle Fuhrman, whose sinister presence was enough to make Esther one of the most terrifying antagonists. iconic contemporary horror. With all this background, a sequel was imminent and that is how we arrived at The Orphan: The Origin – 63%, a prequel that takes what worked from its predecessor to offer us another bloody odyssey of one of the most beloved fictional psychopaths in popular culture, this time delving into something that until now was an enigma for everyone: his past.

We invite you to read: REVIEW | The Orphan: The Origin | The villain of a badly told story?

Directed by William Brent Bell (The Kid – 27%) and written by David Coggeshall (Scream: The TV Series – 47%), this prequel tells the story of Lena, who manages to escape from the Russian psychiatric hospital in which she is confined and travels to the US posing as the missing daughter of a wealthy family. But her new life as Esther will not be as she expected, and she will face a mother who will protect her family at any cost. In the cast we can find back to Isabelle Fuhrmann in the leading role sharing credits with Julia Stiles, Rossif Sutherland, Hiro Kanagawa, Matthew Finlan, Samantha Walkes, among others.

Although critics point out that the film is not part of that rare group of sequels that surpass the original, they affirm that The orphan: the origin it does just enough to justify its existence and offer a wickedly entertaining story that adds depth to its protagonist. Soon we will tell you in detail what things are being said about this bloody set that you cannot miss in national theaters starting this weekend.

According to reviews, The orphan: the origin is a surprising, funny and sinister return to the mind of Esther. From the outset, she’s said to be a clever prequel that fits right in with what the first film established, executing her concept of a grown woman in a child’s body with psychological depth, imagination, and flair. For journalists, one of the great successes of this installment is to rely on black humor, moving away from the somber tone that dominated the original to proudly embrace the absurdity of its plot and deliver a feast that is bloody and kitsch at the same time. On the other hand, the comments suggest that the direction of Brent Bel It doesn’t reinvent the wheel of horror, but it undeniably adds some brilliant ideas that make the turning gears of the genre seem a bit more exciting, delivering a pleasurable ride that sticks to the usual beats with a few creative flourishes.

For critics, this installment stands again on the shoulders of Isabelle Fuhrmann, who this time passionately slips into her character’s scarred skin, showing us a whole new side of Esther, one that’s no softer and brings her inner morality to the fore. However, the negative reviews emphasize the disappointing visual aesthetic of it, which has a TV movie quality. Contrary to those who enjoyed its wild pleasures, there are journalists who found the story painfully vague and exaggerated, claiming that it is practically the same movie we saw in 2009, but flipped in a way that makes it inconsequential to the Esther mythology.

Finally, The Orphan: The Origin – 63% defies expectations as a prequel that pays tribute to the original film while putting a refreshing spin on the story and delving deeper into its sinister villain. It doesn’t all work out, but those who can get on board with the film’s antics will find it a surprisingly brutal, deeply bizarre and captivating slice of horror fun.

Here is a compilation of critics and reviews of The Orphan: The Origin – 63%:

Also read: Isabelle Fuhrman assures that there are already plans for La Orfana 3

Chris Evangelista of slash-film:

Despite its misty appearance, “Orphan: First Kill” is a surprising, fun and welcome return for everyone’s favorite mini-assassin.

Laura Potier of Starbust Magazine:

The movie knows its nonsense and is very happy to be here. Deliciously cheesy and a bit silly, it’s a horror comedy that’s hard not to enjoy, even if it doesn’t live up to its predecessor.

matt donato from IGN:

The orphan: the origin, justifies its existence by defying the expectations of the rules that the prequels must follow. Isabelle Fuhrman slips back into the scarred skin of a psychopathic con artist providing insight into the beginnings of her…

Leslie Felperin from Guardian:

The most disappointing thing about the film is that it doesn’t have the spark or the originality of the first one and just parasitically drains its source material…

Jared Mobarak from The Film Stage:

It’s pretty much the same movie, but flipped in a way that makes it inconsequential to the Esther mythology, despite any initial intrigue.

Calum Russell of far-out:

…a pleasurable ride that sticks to the rhythms of the genre with some creative flourishes. It doesn’t reinvent the wheel of horror, but it’s undeniable that Bell adds some flashing lights that make the spinning gears of genre filmmaking seem a little more exciting.

Daniel Farriol of All that glitters is not cinema:

The result is very creepy and works quite well in most scenes if we take into account that we are dealing with a self-aware product. Isabelle Fuhrman, joined here by Julia Stiles and Rossif Sutherland, continues to have just as disturbing a stage presence as she already demonstrated in the excellent “The Wannabe”…

Jorge Espinoza-Lasso of the figurine:

This movie shows us that reviving a franchise doesn’t have to result in a lifeless piece whose only goal is to make money, but that it can be an opportunity to improve on the past and give us a good job that respects its audience.

Sea Pons of Contrast:

A bloody thriller for lovers of the genre. Despite its unlikely approach, the film knows how to keep pace and suspense. Yes, we can be surprised by some well-found script twist that revives the film when it seems that it has nothing more to offer.

Guzman Urrero of culia:

…it is an ingenious film full of black humor, which twists the original premise and achieves something difficult at this point: surprise the viewer. Especially if he knows how to appreciate that cheap craftsmanship that made us so happy in the early eighties.

Do not leave without reading: The Orphan: the origin | Isabelle Fuhrman says playing Esther made her a better person

The orphan: the origin | Top reviews, reviews and ratings | tomatoes